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 - CBC Radio, All in a Weekend. Jan. 2012
   Click hear to listen to an interview with Arthur Holden

This is a fun play, and a satisfying play, ably performed and directed at a clip by Guy Sprung in this excellent Infinithéâtre production. Arthur Holden is a playwright to watch.
- Linda Leith, REVIEW, Jan. 2012
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"He takes himself extremely seriously. So the more serious you play it, the funnier it is. And some of the lines I've been given are just brilliant."
- Howard Rosenstein in Mirror, by Neil Boyce, Jan. 2012
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"'He's [Holden's] not all over the map - he covers the map', [Guy] Sprung added."
- Pat Donnelly, The Gazette, Jan. 2012
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“[Guy] doesn’t fear risk,” said Holden. “He courts it. I’ve benefited greatly from being one of the playwrights on whose work he’s taken a chance.” This is certainly the raison d’être for Infini, one of the few Canadian companies devoted exclusively to premiering new work."

To read the full article click here.
- Joel Fishbane, Charlebois Post, Jan. 2012

"I think writing in English in Quebec has evolved into a metapolitical activity. Its political ramification lies precisely in the fact that it’s no longer an act laden with political baggage. (Of course, if Michel Tremblay started writing in English, that would be political. But let’s not lose sleep worrying.) By and large, I think Anglo Quebecers have come around to understanding – or, among those who don’t really understand, at least accepting with resignation – that there is a nation called Quebec, and that English-speakers play a vital role in mediating that nation’s perception of the immense continental culture in which it subsists."

To read the full interview click here.
- Ars Poetica playwright Arthur Holden in an online interview with Poetry Quebec, Jan. 2012